The meaning of Larks' Tongues In Aspic (Part Two) by King Crimson

"Larks' Tongues in Aspic (Part Two)" is an instrumental track from King Crimson's 1973 album "Larks' Tongues in Aspic". The song is a showcase for guitarist Robert Fripp's innovative and experimental approach to the instrument, as well as drummer Bill Bruford's precise and dynamic drumming.

The piece begins with a hauntingly beautiful melody played on a synthesizer-like instrument called the EMS VCS 3, which gives way to a series of complex rhythms and time signatures. The music is characterized by abrupt changes in tempo and mood, from soaring melodies to frantic, dissonant passages. Throughout the track, Fripp's guitar work is marked by his signature use of prepared guitar, where he places objects such as screws or coins on the strings to alter their tone and timbre.

One of the most striking aspects of "Larks' Tongues in Aspic (Part Two)" is its use of unconventional time signatures. The track features a series of abrupt changes in tempo and meter, which give the music a sense of tension and release. This experimentation with rhythm is typical of King Crimson's approach to progressive rock, as they sought to push the boundaries of what was possible on their instruments.

The song also features a number of memorable guitar solos from Fripp, who uses his prepared guitar technique to create a range of unusual sounds. These solos are often punctuated by moments of silence or ambient texture, which add to the track's sense of drama and surprise. Overall, "Larks' Tongues in Aspic (Part Two)" is a showcase for King Crimson's innovative approach to progressive rock, and its use of unconventional instruments and techniques has made it a beloved classic among fans of the genre.